About Arjen Lucassen
Best known for his musical project Ayreon, Arjen Anthony Lucassen was born on April 3rd, 1960 in The Hague. Both Arjen and his older brother Gjalt were good students, but unlike Gjalt, Arjen wasn’t interested much in studying. A notorious trouble-maker in class, Arjen decided to pursue a career in the music business after graduating high school. During his teens, Gjalt always teased Arjen a lot, and Arjen has been taking his revenge by playing jokes on his brother in the credits of his Ayreon CDs. If you look carefully, you’ll find a Gjalt ‘joke’ in the booklet of every CD released after 1995.
Arjen’s love of music was sparked in the 60s, when he became a big fan of the Beatles. He started buying albums in the early seventies when the glam rock era started and bands such as T-Rex, Alice Cooper, The Sweet, David Bowie were rising stars. Arjen really wanted to be in a band but he was too lazy to learn to play an instrument so he started a play-back band mimicking his heroes Alice Cooper, Slade, and The Sweet. He actually did get a lot of gigs in schools and already then he was a busy guy.
Then one day one of the older pupils approached Arjen saying “You have to listen to this,” and handed him a copy of Deep Purple’s ‘Made in Japan’. “Glam rock is OK, but this is really great.” When Arjen listened to it and heard Ritchie Blackmore’s guitar playing, he knew what he wanted: to play guitar! So he learned to play guitar and went through a stage where he had a lot of different bands until 1980. One of these bands was called ‘Mover’.
Arjen had heard that the Dutch band Bodine had been looking for a new singer. Although he didn’t consider himself a great or gifted vocalist, Bodine was his favorite band so he wanted to get involved.The first album with Jay van Feggelen on vocals was one of his favorite albums. He figured that he would audition as a vocalist, and bring his guitar, hoping they would give him the position of second guitarist in the band. And they told him that he had good ideas, good lyrics and good melodies but his voice was not what they were looking for. So Arjen told them he had brought his guitar. Those were the days of guitar tandems in bands such as Judas Priest, Iron Maiden, Thin Lizzy. Arjen pulled out his guitar and his amps and just began to play some Bodine songs that he had been working on for a month. And they said: Ok, you’re in! Arjen stayed in Bodine from 1980 to 1984 and did two albums with them: ‘Bold as Brass’ and ‘Three Time Running’.
Then Arjen got a call from a young and fresh band named Vengeance asking him if he knew a guitarplayer. Arjen thought just a moment, thinking about how great Bodine was, and what amazing things he had learned from the older much more experienced musicians, but also how limited he felt about expressing his own musical ideas. He couldn’t develop himself as a composer and realized that there was a lot of spirit in Vengeance. So Arjen answered: “Yes, I know a guitarplayer… me!”
Vengeance was surprised and very happy, but wondered about his commitment to Bodine. Arjen told them that it was time for a change. He joined Vengeance shortly after that phone call
Striking out alone!
Now the road was open for Arjen to work on his own material without interference or having to make concessions to band members. He recorded a few songs with himself on vocals and a record company heard it and was very interested to release the songs on an album. This album became Pools of Sorrow, Waves of Joy and Arjenwent by his middle name Anthony. On this album Arjen played all instruments himself, except bass guitar which was played by Peter Vink and keyboards which were played by Cleem Determeijer. He didn’t know what he wanted to do musically so the album became a hodge-podge of styles. Country, pop, rock, prog all sorts of different songs, and, even though three singles were released and Arjen performed on various radio shows and small clubs, the album flopped. But to those who listen to the album can hear that there are a few songs that became the basis for a massive project that was still to come.
He was looking for a way to make a life-long dream come true of creating a rock opera.
One particular album released during the 60s left a huge impression on Arjen. This album had everything Arjen was looking for: the music took him on an adventure, lyrics drew him into an emotional story, and reading lyrics along to discover that famous vocalists were playing parts. It became the ultimate tool for escapism for Arjen. The album was Andrew Lloyd Webber’s Jesus Christ Superstar. This album was followed by other similar albums such as War of the Worlds featuring Phil Lynott, The Who’s Tommy, Pink Floyd The Wall. After that Arjen realized that time had come to do it himself, and to do it his own way. Not limited music to one style. He used all his styles — prog, metal, folk, Beatles — despite being convinced that listeners with strong genre preferences would hate not being able to pigeonhole the music. But that didn’t matter to Arjen: for once in his life he wanted to make an album without compromises, just making the music he loved. This album became Ayreon – The Final Experiment. He found a small Dutch label interested in the project and the album simply took off. Several years later, after changing record companies, Arjen has released seven Ayreon albums as well as one compilation. See the full list of Ayreon albums here.
In between Ayreon releases Arjen enjoys working on various side projects. Each of these allow him to focus on different stylistic aspects. While Ayreon tends to mix a variety of genres and musical styles, his various side projects tend to be more coherently focused on one style. Below is a list of Arjen’s side projects to date.
Strange Hobby is a collection of cover songs. It is “Strange” because the album packaging contains no information about who was actually behind the recording:
After I finished the second Ayreon album I really felt like freaking out. On the Ayreon discs everything is produced superbly. Every detail, no matter how minor, has been designed, has been thought about. I wanted to break free from that for a while. I wanted to run and dance through the room while recording. That’s what I did!
From the start I intended to keep the identity of who was behind the album a secret. I just wanted to do that; it seemed fun…Well, it may not be smart from a commercial point of view, but it was fun
Ambeon was Arjen’s second side project. So far only one album has been released: Fate of a Dreamer featuring vocals by Astrid van der Veen, who was only 14 years old at the time of recording. Originally Arjen set out to record an ambient instrumental album based on certain electronic patterns, chords and melodies derived from the recorded tracks of existing Ayreon songs (to test his new studio hardware system). In the process some new songs evolved, and Arjen decided that female vocals on one or two songs would add a warm human touch. But when Arjen heard Astrid’s amazing voice, he decided that one or two songs wouldn’t be enough. You can read more about Ambeon here.
When Arjen makes a new CD, it is often a reaction to his work on a previous album. In response to the soft style of Ambeon, Arjen went to the other extreme and created a full-tilt metal album with Star One Space Metal (2002). 1n 2010 Arjen revisited the Star One project to record a second album, Victims of the Modern Age. While not technically a band, Arjen did take Star One on the road in 2003. The result of this tour has been captured for posterity in audio and video, and was released in both CD and DVD as Star One: Live on Earth.
Stream of Passion
After Arjen Lucassen had finished Ayreon release The Human Equation in 2004, he wanted to do two things: showcase the many talents of Mexican singer Marcela Bovio, one of the vocalists The Human Equation, and form a proper band for the first time in 10 years. The result was the side project Stream of Passion, which featured heavy guitars and atmospheric trip-hop as a backdrop for Marcela’s mysterious gothic vocals. The album titled “Embrace the Storm” was released in 2005. Arjen took Stream of Passion to the road on four separate occasions. After the final tour in 2007, Arjen left the band to continue on its own, as had been the plan from the beginning. You can read more about the Stream of Passion in their current line-up on the band’s official website. Historical information about the band during Arjen’s involvement can be found here.
Arjen’s next side project, Guilt Machine, featured the vocals of Belgian singer Jasper Steverlinck. The debut album On this Perfect Day was released in 2009 by Mascot records. The music ranges from dark and heavy to atmospheric and melodic. The lyrics, written by Arjen’s partner and manager Lori Linstruth, center around the themes of guilt and regret: guilt for past wrongs (real or imagined) and regret for words unspoken and deeds undone. Arjen’s fans were invited to submit audio messages related to this theme, the best of which were chosen to appear on the album, intertwined with the music. You can read more about Guilt Machine here.
Arjen’s most recent release is a solo album called Lost in the New Real.
Currently working on
In autumn 2012, Arjen announced that he was working on a new Ayreon release. You can view his video announcement here. The title, THE THEORY OF EVERYTHING, was announced in March 2013. The album is tentatively scheduled for release in late 2013. More info to follow!