Ed Warby

Bands
Gorefest

Featured on
Ayreon – 01011001
Ayreon – Into the Electric Castle
Ayreon – Flight of the Migrator
Star One – Space Metal
Star One – Live on Earth
Star One – Victims of the Modern Age
Ayreon – The Human Equation
Ayreon – Actual Fantasy: Revisited
Ayreon – Day Eleven:Love
Ayreon – Loser
Ayreon – Come Back to Me

Audio

The Decision Tree (we’re alive)

Chaos

Day Eighteen: Realization

Set Your Controls

The Two Gates (live)

Website
Ed Warby’s Official Site

Ed Warby – drums

Arjen explains:
I had seen Gorefest live once and was very impressed with Ed, their drummer. Years later I needed a drummer for ‘Into the Electric Castle’ and someone recommended Ed. But I wanted a versatile drummer who loved prog and I was under the impression that Ed only liked metal. But after I talked to him it became clear that Ed and I were on the exact same wavelength musically. The drumsessions for ‘Into the Electric Castle’ with Ed were absolutely unbelievable; I’ve never experienced anything like it! Ed is a super tight drummer; he’s like a computer with a human feel. Any complex songstructure is a piece of cake for him and he’s able to make the most complicated and ingenious fills. During the Star One tour in 2002 he proved to be the best drummer of his kind in the Netherlands, if not Europe.

Ed; taken from the interview:
I can only say one thing about it [Ayreon]: absolutely great! And that’s not because I’m part of it myself, but I really think it’s great to be involved in such a cool project. Just like Arjen, I get a kick out of good singers, which is one of the main features of Ayreon for me. Besides that, I really like symphonic music (Spock’s Beard, Dream Theater, Porcupine Tree, but also Yes, Floyd and ELP), so everything’s all right with that.

Studio Report: The Human Equation

Studio Report: Actual Fantasy: Revisited
Arjen is currently putting the finishing touches on the Actual Fantasy 2004 edition named Actual Fantasy: Revisited. It features, among other things, a CD of the 2004 recording and a bonus DVD with a 5.1 surround sound remix of the 2004 recording. At the end of September Ed Warby recorded drums for this edition, and recently Peter Vink recorded bass guitars. Time to catch up with Arjen on how the process of revitalizing the 1996 recording has been so far.

After mixing “Star Child” in dolby pro-logic and “Day Eleven: Love” in 5.1, Arjen couldn’t wait to mix an entire album 5.1. The first real opportunity came up when InsideOut began planning their release of the old Ayreon albums. He figured it would be great to give the least selling and seriously overlooked 2nd Ayreon album Actual Fantasy some new attention.
For years Arjen had wondered what Actual Fantasy would sound like with real drums, instead of the drum computer. And when Arjen began working with drummer extra-ordinaire Ed Warby on Ayreon and Star One recordings, the idea grew: wouldn’t it be great to record the album with real drums? It was a daunting task that kept Arjen from considering it seriously. However, in order to make a 5.1 mix work for the album he had to re-record a number of elements that were lost, and remaking the album by recording real drums became a serious option.
“After I was finished with ‘The Human Equation’, I took some time to think it over. I knew it would be a lot of work and would cost a lot of time, effort and money. How could I know it would be worth it? But then I talked it over with Ed, I knew I just had to do this. Of course at the time back in 1996 it was my intention to make the album completely electronic to match the themes of the songs, but what a waste when you have someone like Ed who can really make the album come alive with his drums. In fact Ed himself recently told me that when he heard Actual Fantasy for the first time (we hadn’t met yet back then) he told people he should have drummed it instead of a computer!”
“The recording process is completely different from recording a new album. Even though I could replay the guitar and the bass parts, all vocals and most of the keyboards were set in stone. Ed Warby had less room to move and the margin of error was very small, but on the other hand he could now interact with the vocals and solos that were already recorded. As we all know by now Ed is such a skilled drummer and as expected he did a great job. He found enough room to be creative and innovative. I can’t begin to describe how great it was to hear the album coming together in a new style in the recording studio.”
Arjen could have replayed the bass guitar sections that were missing himself, but (no doubt inspired by the Star One live album/tour and the re-recording of the single version of “Day Sixteen: Loser”) he thought it would be great to have Peter Vink work his magic on this new recording instead. Peter was immediately up to the task and started working on the songs. After all drums were recorded and an early mix was ready, Peter went to the Electric Castle to recorded bass.
“For bass guitar I really wanted to take some time with Peter, trying out ideas, joking around and experimenting. He is a really funny guy and an amazing bass player, so a lot of fun to work with. He is certainly one of my favorites and as always, the end results are quite stunning.”
Arjen worked on slightly different arrangements and sound. Bringing some old discarded passages back into the songs, and changing guitar sections in light of the new drum recordings. Some changes were made just because he felt like it, and other changes were born out of absolute necessity.
“All midi information and many effects and sounds were lost, so I had to rework and even reinvent those. This in turn gave me the chance to experiment with some other ideas and sounds.”
Another example, instead of the digital flute Arjen added a real flute (Ewa Albering) to the intro of the album, and also added a mystery cameo appearance in Back on Planet Earth (bonus points for those who figure out who it is).
“At this point in the process, almost finished, I really believe and feel that it was all worth it. Though initially I was dreading the project because I normally hate to look back, I found myself enjoying working on it very much. It was very satisfying to hear the album coming together again, but in a much more dynamic way. And furthermore, working on the album during the infamous ‘black hole’ period (the non-creative period after an album release) also got my creative juices flowing again, and I got some really great ideas for a next project…”The Actual Fantasy Revisited album will hit the stores before the end of this year! So until then, stay tuned for samples and more info on this release.